The young songstress Pomme sets up her stage under the wood passage of the Gâtebourse tower: a simple guitar and her voice to enchant the tower.
“Growing up, it’s a little disappointing,” sings Pomme in Comme si j’y croyais. Yet, she does the contrary. The older she gets (she’s only 22), the more she enchants and surprises. After En Cavale, her remarkable first EP released a year ago, she travelled alone by car and by train, her guitar and auto-harp under her arm, to share her songs. Hundreds of concert dates, several as the headliner, mostly as an opener (for Vianney, Louane, Olivia Ruiz, Cœur de Pirate, Benjamin Biolay, Yael Naim…), her candor and determination have slowly won over the public, who came to hear more famous acts. At the conclusion of this modest marathon, and before starting a new one, Pomme recorded her album A peu près, with a production duo Benjamin “Waxx” Hékimian and Matthieu Joly.

In partnership with Les Abattoirs