{"id":102720,"date":"2024-05-23T10:52:08","date_gmt":"2024-05-23T08:52:08","guid":{"rendered":"https:\/\/www.fondationdentreprisemartell.com\/?p=102720"},"modified":"2026-01-05T16:08:29","modified_gmt":"2026-01-05T15:08:29","slug":"mathilde-pelle","status":"publish","type":"post","link":"https:\/\/www.fondationdentreprisemartell.com\/en\/mathilde-pelle\/","title":{"rendered":"Mathilde Pell\u00e9 – Hollow Path"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”176687″ el_class=”galleryToSlider”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”173411″ el_class=”galleryToSlider__sliderColumn”][vc_gallery el_id=”gallery-138752″ medias=”104058,104060,104056,104054,104062,104068″ gutter_size=”3″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”50″ single_padding=”2″ uncode_shortcode_id=”281847″][vc_column_text text_lead=”small” uncode_shortcode_id=”566107″ el_class=”article__text”]Photo credit : Aur\u00e9lien Mole[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading heading_semantic=”h1″ text_size=”h1″ text_weight=”500″ text_transform=”uppercase” uncode_shortcode_id=”186640″ el_class=”article__cate”]MATHILDE PELL\u00c9[\/vc_custom_heading][vc_custom_heading heading_semantic=”h1″ text_size=”h6″ text_weight=”500″ text_transform=”uppercase” uncode_shortcode_id=”112706″ el_class=”article__cate”]CHEMIN CREUX – HOLLOW PATH
\nJune 8 – December 29, 2024[\/vc_custom_heading][vc_row_inner][vc_column_inner width=”1\/1″][vc_button button_color=”color-vyce” custom_typo=”yes” font_family=”font-681254″ font_weight=”600″ text_transform=”uppercase” border_width=”0″ link=”url:https%3A%2F%2Fwww.fondationdentreprisemartell.com%2Fwp-content%2Fuploads%2F2024%2F05%2FMATHILDEPELLE_DOSSIER_PRESSE_EN_220524.pdf|target:_blank” uncode_shortcode_id=”500005″ button_color_type=”uncode-palette” el_class=”article__btn”]Press kit [\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”116388″ el_class=”article__text”]The Fondation d\u2019Entreprise Martell launches its new exhibition-residency format and invites the designer Mathilde Pell\u00e9<\/strong> to share and develop her research approach called \u00abSubtraction\u00bb. By unfolding various aspects of the work carried out since 2016 \u2013 both experimental, critical, formal, and theoretical \u2013 the exhibition encourages a careful examination of objects proposed by our societies and the forms that can emerge through subtraction. Pell\u00e9 continues the inexhaustible question that guides her creations, her thinking, and her relationship to design: \u00abWhy is there something rather than less?\u00bb<\/p>\n

For the exhibition \u00abHollow Path\u00bb, she experiments with the ruin of domestic environments by subtraction and imposes a protocol by which she removes material from everyday objects by scraping and stripping them, thus creating new ob\u00adjects from the void.<\/p>\n

Drawing on aspects of her work, she shares her insights into a direction that is completely disregarded in favour of more, addition, and growth: that of less. Her approach leads her to study the barriers (political, social, psychological, etc.) that limit our ability to choose less and\/or accept it. Why is adding more, in most cases, the predominant choice? What are the logics at work that lead us globally to choose more, how did they emerge, and why?<\/p>\n

Since the limits linked to material production must be recognised and accepted globally in these times marked by ecological urgency, should we not at the same time open up a non-limiting exploration of less, of the little, of the smallest?<\/p>\n

If it is approached as a direction to be probed, the less allows us to reconsider our material environments and authorises a critique of the dominant models that are curiously both produ\u00adcers of exhaustion and saturation.<\/p>\n

Why are the abilities of artists and designers to read and analyse the world of forms (surrounding and\/or produced) essential to the reformulation of a common equilibrium? In what ways can these non-academic approaches be the vectors or supports of profound transformations? It is these \u00abhollow paths\u00bb, without certain answers, that Mathilde Pell\u00e9 explores.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

The Fondation d\u2019Entreprise Martell launches its new exhibition-residency format and invites the designer Mathilde Pell\u00e9 to share and develop her research approach called \u00abSubtraction\u00bb.<\/p>\n","protected":false},"author":32,"featured_media":102743,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50,81],"tags":[],"acf":[],"yoast_head":"\nExhibition - residency<\/title>\n<meta name=\"description\" content=\"The Fondation d\u2019Entreprise Martell launches its new exhibition-residency format and invites the designer Mathilde Pell\u00e9 to share and develop her research approach called \u00abSubtraction\u00bb.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fondationdentreprisemartell.com\/en\/mathilde-pelle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibition - 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