{"id":104381,"date":"2025-05-02T10:27:30","date_gmt":"2025-05-02T08:27:30","guid":{"rendered":"https:\/\/www.fondationdentreprisemartell.com\/?p=104381"},"modified":"2026-01-05T16:05:15","modified_gmt":"2026-01-05T15:05:15","slug":"memo-remembering-the-futures","status":"publish","type":"post","link":"https:\/\/www.fondationdentreprisemartell.com\/en\/memo-remembering-the-futures\/","title":{"rendered":"Memo. Remembering the Futures"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”176687″ el_class=”galleryToSlider”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”173411″ el_class=”galleryToSlider__sliderColumn”][vc_gallery el_id=”gallery-879836″ medias=”104335,104386,104809,104833,104831,104829″ gutter_size=”2″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_width=”6″ images_size=”sixteen-nine” single_overlay_opacity=”50″ single_padding=”2″ uncode_shortcode_id=”388634″ items=”eyI5Njg4NV9pIjp7InNpbmdsZV93aWR0aCI6IjYifSwiOTY4ODJfaSI6eyJzaW5nbGVfd2lkdGgiOiIzIn0sIjk2NTI5X2kiOnsic2luZ2xlX3dpZHRoIjoiMyJ9LCI5ODk0NF9pIjp7InNpbmdsZV93aWR0aCI6IjMifSwiOTY4MjJfaSI6eyJzaW5nbGVfd2lkdGgiOiIzIn0sIjk2ODE1X2kiOnsic2luZ2xlX3dpZHRoIjoiMyJ9LCI5Njg0M19pIjp7InNpbmdsZV93aWR0aCI6IjYifSwiOTY3MDJfaSI6eyJzaW5nbGVfd2lkdGgiOiIzIn0sIjk2ODg0X2kiOnsic2luZ2xlX3dpZHRoIjoiNiJ9LCI5NjgxM19pIjp7InNpbmdsZV93aWR0aCI6IjMifSwiOTY4ODZfaSI6eyJzaW5nbGVfd2lkdGgiOiIzIn19″][vc_column_text text_lead=”small” uncode_shortcode_id=”733350″ el_class=”article__text”]Top to bottom
\nDaybed with Monarch Butterflies<\/em> \u00a9 Fernando Laposse
\nInto the Mountain<\/em>, 2019, Photo \u00a9 Felicity Crawshaw, Courtesy \u2013 Simon Kenyon
\nTuvalu – The First Digital Nation & Rebirth – Trauma as a performative process<\/em>
\nCarribean Beauties<\/em> \u00a9 Pauline Assathiany
\nLos grillos des sue\u00f1o<\/em> \u00a9 Pauline Assathiany
\nMetamophosis of a Herd<\/em> \u00a9 Pauline Assathiany[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_row_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”599199″][vc_custom_heading heading_semantic=”h1″ text_size=”h1″ text_weight=”500″ text_transform=”uppercase” uncode_shortcode_id=”151146″ el_class=”article__cate”]<\/p>\n

Memo. Remembering the Futures<\/p>\n

[\/vc_custom_heading][vc_custom_heading heading_semantic=”h1″ text_size=”h6″ text_weight=”500″ text_transform=”uppercase” uncode_shortcode_id=”843434″ el_class=”article__cate”]<\/p>\n

June 13, 2025 – January 4, 2026<\/p>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_button border_width=”0″ uncode_shortcode_id=”145342″ link=”url:https%3A%2F%2Fwww.fondationdentreprisemartell.com%2Fwp-content%2Fuploads%2F2025%2F05%2FMEMO_DOSSIERPRESSE_ENG_FINAL.pdf”]Presskit [\/vc_button][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_button border_width=”0″ uncode_shortcode_id=”194266″ link=”url:https%3A%2F%2Fwww.fondationdentreprisemartell.com%2Fwp-content%2Fuploads%2F2025%2F05%2FMEMO_GDV_EN_WEB-planches.pdf”]Exhibition booklet[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”429170″ el_class=”article__text”]Collective exhibition with: F\u00e9lix Blume (France), Emma Bruschi (France), Liselot Cobelens (Netherlands), Collider x The Monkeys (Australia),\u00a0 dach&zephir (France), Roberta Di Cosmo (Italy), Cian Dayrit & Cla Ruzol (The Philippines),\u00a0 Alexis Foiny (France), Suzanne Husky (France \/ USA), Simone Kenyon & Lucy Cash (United Kingdom), Fernando Laposse (Mexico), Sally Ann McIntyre (New-Zealand), Neve Insular (Cabo Verde) , Bubu Ogisi \/ I A M I S I G O (Nigeria),\u00a0 Yesenia Thibault-Picazo (France),<\/p>\n

Concept & Curatorship: d-o-t-s (Laura Drouet & Olivier Lacrouts)
\nScenography: Olivier Vadrot
\nGraphic Design: WIP office
\nCo-produced with CID Grand-Hornu, Belgium[\/vc_column_text][vc_column_text uncode_shortcode_id=”207316″ el_class=”article__text”]The exhibition Memo. Remembering the Futures<\/em> showcases the work of European and non-Western artists and designers, questioning the impact of human activities on ecosystems through the lens of memory.<\/p>\n

This project, curated by Laura Drouet and Olivier Lacrouts (d-o-t-s), was inspired by the paradoxical announcement at COP27 by the government of Tuvalu (Oceania) to fully digitize the country to preserve its memory and culture. Facing submersion by 2050 due to rising sea levels, Tuvalu is set to become the world’s first digital nation.<\/p>\n

By documenting and interpreting ongoing anthropic perturbations, these 15 projects offer various responses to counteract the modification and loss of landscapes, biotopes, and species, which are integral to our sensorial and gestural memory, and thus our humanity.<\/p>\n

This exploration of different ways to preserve traces of disappearing cultures and safeguard multispecific memories unfolds through multisensory installations (involving scents, sounds, performances, etc.) and archive materials. These works act as memory triggers, encouraging us to remember and, more importantly, to act.<\/p>\n

[\/vc_column_text][vc_gallery el_id=”gallery-167900″ medias=”104811,104813,104815,104817,104819,104821,104823,104825,104827″ gutter_size=”3″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”50″ single_padding=”2″ uncode_shortcode_id=”200955″][vc_column_text text_lead=”small” uncode_shortcode_id=”116916″]From left to right
\nRebirth \u2013 Trauma as a performative process \u2013 Roberta Di Cosmo<\/em>
\nDryland<\/em>\u00a0\u2013 Liselot Cobelens
\nTo Block the Flow of a River is to Reject the Wisdom of the Earth<\/em>\u00a0\u2013 Cian Dayrit
\n100% Cotton<\/em>\u00a0\u2013 Neve Insular
\nTant que les fleurs existeronf encore<\/em>\u00a0\u2013 Alexis Foiny
\nResting Place<\/em>\u00a0\u2013 Fernando Laposse
\nIAMSIGO \u2013 Collection printemps-\u00e9t\u00e9 2024<\/em>\u00a0\u2013 Bubu Ogisi
\nAlmanach Collection<\/em>\u00a0\u2013 Emma Bruschi
\n\u00a9 Pauline Assathiany[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

The exhibition Memo. Remembering the Futures questions the impact of human activities on ecosystems through the lens of memory.<\/p>\n","protected":false},"author":32,"featured_media":104335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50,81],"tags":[],"acf":[],"yoast_head":"\nCollective exhibition Memo. Remembering the Futures<\/title>\n<meta name=\"description\" content=\"The exhibition Memo. 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