Top to bottom
Daybed with Monarch Butterflies © Fernando Laposse
Into the Mountain, 2019, Photo © Felicity Crawshaw, Courtesy – Simon Kenyon
Tuvalu – The First Digital Nation & Rebirth – Trauma as a performative process
Carribean Beauties © Pauline Assathiany
Los grillos des sueño © Pauline Assathiany
Metamophosis of a Herd © Pauline Assathiany

Memo. Remembering the Futures

June 13, 2025 - January 4, 2026

Collective exhibition with: Félix Blume (France), Emma Bruschi (France), Liselot Cobelens (Netherlands), Collider x The Monkeys (Australia),  dach&zephir (France), Roberta Di Cosmo (Italy), Cian Dayrit & Cla Ruzol (The Philippines),  Alexis Foiny (France), Suzanne Husky (France / USA), Simone Kenyon & Lucy Cash (United Kingdom), Fernando Laposse (Mexico), Sally Ann McIntyre (New-Zealand), Neve Insular (Cabo Verde) , Bubu Ogisi / I A M I S I G O (Nigeria),  Yesenia Thibault-Picazo (France),

Concept & Curatorship: d-o-t-s (Laura Drouet & Olivier Lacrouts)
Scenography: Olivier Vadrot
Graphic Design: WIP office
Co-produced with CID Grand-Hornu, Belgium

The exhibition Memo. Remembering the Futures showcases the work of European and non-Western artists and designers, questioning the impact of human activities on ecosystems through the lens of memory.

This project, curated by Laura Drouet and Olivier Lacrouts (d-o-t-s), was inspired by the paradoxical announcement at COP27 by the government of Tuvalu (Oceania) to fully digitize the country to preserve its memory and culture. Facing submersion by 2050 due to rising sea levels, Tuvalu is set to become the world’s first digital nation.

By documenting and interpreting ongoing anthropic perturbations, these 15 projects offer various responses to counteract the modification and loss of landscapes, biotopes, and species, which are integral to our sensorial and gestural memory, and thus our humanity.

This exploration of different ways to preserve traces of disappearing cultures and safeguard multispecific memories unfolds through multisensory installations (involving scents, sounds, performances, etc.) and archive materials. These works act as memory triggers, encouraging us to remember and, more importantly, to act.

From left to right
Rebirth – Trauma as a performative process – Roberta Di Cosmo
Dryland – Liselot Cobelens
To Block the Flow of a River is to Reject the Wisdom of the Earth – Cian Dayrit
100% Cotton – Neve Insular
Tant que les fleurs existeronf encore – Alexis Foiny
Resting Place – Fernando Laposse
IAMSIGO – Collection printemps-été 2024 – Bubu Ogisi
Almanach Collection – Emma Bruschi
© Pauline Assathiany