The Monkey and the Clay
From top to bottom
Hyperpnea Green, 2024 – Bagus Pandega. Courtesy of the artist and ROH (Jakarta, Indonesia) © Aurélien Mole
Passing her a piece of cloth, 2022 – AKI INOMATA. Courtesy of the artist and Maho Kubota Gallery (Tokyo, Japan) © Aurélien Mole
The Book of Flowers, 2023 – Agnieszka Polska. Courtesy of the artist.
Alfil Relief/Elephant Relief (V03), 2021. Courtesy: Lin May Saeed Estate; Chris Sharp Gallery, Los Angeles; Jacky Strenz, Frankfurt/Main
La Fondation d’entreprise Martell thanks
Galleries and lenders :
Estate de Lin May Saeed & Jacky Strenz Gallery
Fondation Louis Vuitton
Maho Kubota Gallery
ROH Gallery
Sponsors :
EssarBois
Terreal-Wienerberger
The Monkey and the Clay
30 May 2026 - 3 January 2027
At the intersection of play, poetry and science fiction, the exhibition The Monkey and the Clay brings together nine international artists who explore the theme of collaboration between species. Through fable and imagination, the exhibition sets natural, human and technological productions in dialogue, sketching out new forms of alliances with the living world. Presented within a scenography evoking the forest, these hybrid works—installations, films, sculptures and sound pieces—contribute to a broader conversation on collective transformation, invoking concepts ranging from ecological compensation to eco-futurism.
‘We must help one another; it is the law of nature.’
The Donkey and the Dog
Collective exhibition with : Tania Candiani (Mexico), AKI INOMATA (Japan), Bagus Pandega (Indonesia), Agnieszka Polska (Poland), Lin May Saeed (Iraq-Germany), Shimabuku (Japan), Jessica Warboys (United Kingdom), Trevor Yeung (Hong Kong), Robert Zhao Renhui (Singapore).
Guest Curator : Emilie Villez
Exhibition Design : Atelier CRAFT
Graphic Design : Théo David Gehin
In order to better coexist within a ‘more-than-human’¹ world, human beings are learning to redefine their place within the ecosystem. Drawing on both theoretical debates and practical experimentation, contemporary artists increasingly position themselves not as conquerors of nature, but as collaborators.
Reflecting its title which embodies an interaction between the animal and the mineral, The Monkey and the Clay is permeated by the concept of interspecies interdependence, following ecological currents of thought that decentre the human. Challenging the notion of human exceptionalism and dominance over non-human species, the term ‘more-than-human’ is used across the humanities and social sciences to mark a rupture with hierarchical understandings of life.
This entanglement – animal, vegetable, mineral, atmospheric – describes a complex web of relations where no entity exists in isolation, and where every action ripples through a multitude of interconnected beings. The evolution of the word ‘ecology’ itself reveals this shift: while scientists originally defined the term as the study of interactions between living organisms and their environment, it gradually morphed into a commitment to the conservation of territories and species, before becoming a political necessity in the 1970s.
Influenced by the avant-garde positions of Land Art, environmental activism, and non-Western holistic thought, contemporary artists are pursuing more horizontal relationships, even envisioning co-creation with the non-human. Yet these collaborative bonds are complex, often unpredictable, and occasionally verge on instrumentalisation. How can we be certain of their reciprocity?
The exhibition explores these questions through artistic practices that reframe, and even bring a sense of play to, our modes of production and coexistence.
The works on display defy traditional representations of nature; rather than offering solutions, they seek to foster alternative ways of thinking. To mend fractured links, these artists engage in a process of immersion and listening, raising questions of proximity and kinship (Tania Candiani, Shimabuku) and the role of chance within the co-creative process (AKI INOMATA, Jessica Warboys, Trevor Yeung). Striving to counter fatalism, the exhibition highlights practices that cultivate a political and ecological imagination: some offer counter-narratives (Robert Zhao Renhui, Lin May Saeed), while others construct speculative fictions through technological tools (Agnieszka Polska, Bagus Pandega).
¹ The term first appeared in David Abram’s The Spell of the Sensuous: Perception and Language in a More-Than-Human World (1996). French translation: « Comment la terre s’est tue. Pour une écologie des sens , Ed. La Découverte, 2013



From left to right – © Aurélien Mole
First Concert video and Percutor 2020 – Tania Candiani. Courtesy: Tania Candiani Studio
River Painting, Charente, 2026 – Jessica Warboys. Courtesy of the artist and Galerie Gaudel de Stampa
Earth to Earth (Terres-de-Haute-Charente), 2026 – Trevor Yeung. Courtesy of the artist and Galerie Joseph Allen
The Planctonarium
The Planctonarium
A new space for engagement by BehaghelFoiny
30 May 2026 - 3 January 2027
As an extension of the exhibition The Monkey and the Clay – dedicated to interspecies relations – the Fondation has invited Studio BehaghelFoiny to conceive a hybrid space: The Planctonarium.
Designed as a dedicated hub for public engagement and situated at the end of the exhibition circuit, this immersive environment invites visitors to embrace a slower pace and extend their visit. Comfortably appointed, the space fosters a spirit of reading and relaxation, while simultaneously providing a dedicated setting for participation in artistic workshops.
This multifaceted space showcases the work of emerging designer Antoine Behaghel and his ongoing research into ‘Chlorophyllian Artifices’: a dive into the microscopic world of phytoplankton blooms. This vernal biological phenomenon is characterised by the sudden proliferation of phytoplankton in the ocean, regenerating the atmosphere we breathe through the photosynthesis performed by these microorganisms. Within this installation, the silhouettes of phytoplankton are reinterpreted and magnified, embodied as objects levitating within a chromatic atmosphere; the work submerges us in the oceanic ‘water column’, a space where above and below, the intimate and the distant, begin to dissolve.
The exhibition presents a series of ornamental pieces crafted by the designer using a wide array of artisanal techniques, including porcelain, tapestry, paper, and 3D printing. Beneath these suspended, luminous forms, the ‘Microscopists’ Table’ invites visitors to observe phytoplankton through a microscope and take part in hands-on artistic workshops.
Antoine Behaghelb – recipient of the 2024 COAL Student Prize for Art and Environment – will undertake a production residency at the Fondation in the autumn of 2026. Continuing his research in collaboration with the Marais d’Yves nature reserve (Charente-Maritime), he will develop a new series of glass works within the Fondation’s workshops. These pieces will be integrated into the exhibition upon their completion. Finally, he will lead a signature artistic workshop, ‘Ordinaire Extra!’, toward the end of the year.
Wood Workshop for young audiences

Woodwork workshop – Copyright: Benoit Chenudeau
WOOD WORKSHOP FOR YOUNG AUDIENCES
2026
WOODWORKING WORK FOR YOUNG AUDIENCES
The Fondation d’entreprise Martell offers an immersive experience in the world of cabinetmaking, specially designed for young audiences. Each child, accompanied by cabinetmaker Mathias Heinisch, will create a bird feeder from maple wood and learn to use traditional tools (spokeshave, plane, scraper, etc).
Workshop Objectives:
– Discover the workshop and become familiar with the tools and how they work: planes, coping saws, etc.
– Get introduced to the material and textures of wood
– Learn manual techniques
Safety Guidelines:
– Wear flat, closed-toe shoes (safety overshoes will be provided)
– Wear comfortable clothing
– Tie back hair
An apron, cut-resistant gloves, and ear protection will be provided before the workshop.
Participants will not use power tools or machines.
One Saturday per month, from 10 am to 12.30 pm
Registrations (for children aged 8 and over) with Mathias Heinisch
email: [email protected]
Session fee: €45 (to be paid on-site by cheque or cash).
Maximum of 7 children per session. Children must be accompanied by an adult.
Mathias Heinisch has a cabinetmaking background. He designs and creates custom furniture and fittings for private individuals, businesses, or artists. He primarily works with local woods and, whenever possible, reclaimed wood (oak, walnut, cedar, boxwood, maple, ash). He has also worked in a luthier workshop where he built and restored guitars.
Workshops in partnership with Essarbois.
Essarbois is a company specialized in identifying and selecting exceptional veneers and solid woods. For over 20 years, it has been supplying the finest woods with quality and responsiveness. Essarbois highlights its eco‑responsible commitment through its PEFC and FSC certifications.

Fablab Cognhacker

3D-skrivare par Patel, Edward – Swedish National Museum of Science and Technology, Sweden – CC BY
FABLAB COGNHACKER
2026
Register
Mickaël Fuzeau and Clément Genty, the Cognhackers, invite you to experiment within the Pluriel workshop at the Foundation, exploring their digital fabrication laboratory (FabLab) dedicated to creativity and learning by doing.
On the program:
– Digital fabrication workshops (3D printing, electronics, laser cutting)
– Repair Cafés to extend the life of objects
– Educational activities for young people and audiences with limited access to digital tools
– Collaborative projects combining artistic creation and technical innovation
The FabLab is open to members of the association.
Reservations and information: [email protected]
Saturdays from 10 am to 5 pm:
June 20 / September 19 / October 17 / November 21 / December 19
Annual membership fee: €20 (full rate) / €10 (reduced rate: under 18, students, job seekers)
Material cost by weight (average €5)
Bike Repair

Photo credit : Vélo d’Vie
BIKE REPAIR WORKSHOP
The association Vélo d’Vie, which promotes everyday cycling, invites you to take part in free workshops to learn how to diagnose, maintain, and repair your bike—helping extend its lifespan and contribute to more sustainable mobility.
Only replacement parts are charged.
One Saturday per month, from 9:30 AM to 12:30 PM: June 27 / July 18 / August 22 / September 19 / October 17 / November 21 / December 19
Free entry, no reservation required.
Glass Blowing Workshops "Baptism of fire"

Glass workshop – Photo credit : C.K. Mariot
Baptism of fire
2026
GLASS BLOWING INITIATION WORKSHOP
The Fondation d’entreprise Martell invites you to experience the art of glassblowing through their introductory workshop, the “Baptism of Fire.” Led by skilled glass craftsmen Valentin Rizzo and Gaëtan Oheix, this initiation session offers participants the opportunity to create their first glass pieces using traditional glassblowing techniques.
Objectives of the workshop :
– Discover the various tools used for glassblowing : ovens, cane, etc
– Learn about glass techniques
– Shape and blow simple shapes and glass pieces with a cane
Safety Instructions :
– Participants will be provided with safety overshoes to wear over flat, closed-toe shoes.
– We recommend wearing cotton clothes with a long-sleeved top
– Please bring a water bottle to stay hydrated throughout the session
– Please tie long hair
Two Wednesdays per month from 5:30 pm to 8:00 pm
Dates and booking: Wecandoo
Session fee: €115 (adults only).
Maximum of 3 participants per session.
Valentin Rizzo is a passionate glass artist specializing in stained glass and glassblowing. Trained at Cerfav and with Jean-Pierre Bellion, he has developed expertise ranging from production to research and creation work for designers, notably at Fluid in Brittany. Valentin has collaborated with renowned artists and won the third national prize at the Prix Avenir Métiers d’art competition with his piece “Instant suspendu.” In addition, he is an international highline athlete (a balance sport involving slacklining at height), a discipline he has practiced for around ten years.
Gaëtan Oheix is a glass artist. Although his career initially took a scientific direction with studies at ENTPE and a master’s thesis on river renaturation, Gaëtan has been passionate about glassblowing since childhood. After a pivotal experience at Jeremy Maxwell Wintrebert’s workshop, he decided to switch careers and obtained a CAP in glass and crystal arts, specializing in glassblowing at the Bayel glass workshop and CERFAV. There, he gained a solid technical and artistic foundation, exploring various glassworking methods. Currently, he is furthering his artistic development through the Créateur Verrier program, where he has completed several projects showcasing his creativity and mastery of glass techniques.
Glassblowing immersion

Photo credit : CK Mariot
GLASSBLOWING IMMERSION
2026
INTRODUCTORY WORKSHOP
The Fondation d’entreprise Martell offers a new experience within its glass workshop: a one-day introductory immersion workshop alongside glass artisans.
Participants will discover several glass techniques such as blowing, sculpting, and using color, and will create 3 pieces per person (2 tumblers and 1 custom piece created with the artisans).
Objectives of the workshop :
– Discover the various tools used for glassblowing : ovens, cane, etc
– Learn about glass techniques
– Shape and blow simple shapes and glass pieces with a cane
Safety Instructions :
– Participants will be provided with safety overshoes to wear over flat, closed-toe shoes.
– We recommend wearing cotton clothes with a long-sleeved top
– Please bring a water bottle to stay hydrated throughout the session
– Please tie long hair
One Saturday per month from 9 am to 5 pm
Dates and booking : Wecandoo – Book
Session fee : €320 per person (adults only)
Maximum of 4 participants per session
Valentin Rizzo is a passionate glass artist specializing in stained glass and glassblowing. Trained at Cerfav and with Jean-Pierre Bellion, he has developed expertise ranging from production to research and creation work for designers, notably at Fluid in Brittany. Valentin has collaborated with renowned artists and won the third national prize at the Prix Avenir Métiers d’art competition with his piece “Instant suspendu.” In addition, he is an international highline athlete (a balance sport involving slacklining at height), a discipline he has practiced for around ten years.
Gaëtan Oheix is a glass artist. Although his career initially took a scientific direction with studies at ENTPE and a master’s thesis on river renaturation, Gaëtan has been passionate about glassblowing since childhood. After a pivotal experience at Jeremy Maxwell Wintrebert’s workshop, he decided to switch careers and obtained a CAP in glass and crystal arts, specializing in glassblowing at the Bayel glass workshop and CERFAV. There, he gained a solid technical and artistic foundation, exploring various glassworking methods. Currently, he is furthering his artistic development through the Créateur Verrier program, where he has completed several projects showcasing his creativity and mastery of glass techniques.
Woodworking Workshops

Woodwork workshop – Copyright: Benoit Chenudeau
WOODWORKING WORKSHOP - ADULT
June – December 2026
These introductory sessions to woodworking techniques, designed by cabinetmaker Mathias Heinisch, offer participants the chance to familiarize themselves with traditional woodworking tools (planse, chisels, saws, coping saws, scrapers, etc.) with the goal of learning how to create a side table from reclaimed local wood offcuts.
Workshop Objectives:
– Discover the workshop and become familiar with the tools: planes, saw teeth, coping saws, etc.
– Learn about the material and textures of wood
– Learn manual techniques to create a shelf
Safety Guidelines:
– Wear flat, closed-toe shoes (safety overshoes will be provided)
– Wear comfortable clothing
– Tie back hair
An apron, cut-resistant gloves, and ear protection will be provided before the workshop.
Participants will not use power tools.
Registration (for adults only):
Register with Mathias Heinisch by email: [email protected]
Cost per session: €180 to be paid on-site by check or cash.
Maximum of 4 people per session.
2 Wednesdays per month, from 9 am to 5 pm (lunch break between 12.30 and 1.30pm)
June : 3 and 17
September: 9 and 23
October: 14 and 28
November: 4 and 18
December: 2 and 16
Mathias Heinisch has a cabinetmaking background. He designs and creates custom furniture and fittings for private individuals, businesses, or artists. He primarily works with local woods and, whenever possible, reclaimed wood (oak, walnut, cedar, boxwood, maple, ash). He has also worked in a luthier workshop where he built and restored guitars.
Workshops in partnership with Essarbois.










